TATTOO AFTERCARE

What to expect and general guidelines after leaving the studio.

Day 1:

For smaller tattoos leave bandages/wraps on over-night and remove in shower the next morning.  For bigger tattoos remove bandages/wraps 3-5 hours after the session.  When removing wraps make sure to wash the area well with unscented anti-bacterial soap under lukewarm or cold water, then air-dry or pat dry with a clean paper towel.

Day 2:

Repeat washing and air-drying for the entirety of day two, you’re going to repeat the washing process for the next two weeks.  Its important to wear clean and soft clothing at this stage as your tattoo is still very new and unwrapped.  Avoid strenuous activities especially if the tattoo is in a folded area (you can consult with your artist if you have any questions).

Day 3:

You can start applying a thin layer of unscented lotion (sold in store) after your washing routine (apply it carefully and sparingly).  Avoid Vaseline, Lanolin, Polysporin or petroleum-based products.  Continue lotion process until the tattoo is fully healed, applying lotion to your tattoo after healing also keeps it looking vibrant.

Day 4:

After day three you might experience some light scabbing, this is completely normal and expected.  It is very important that you do not scratch, pick, or rub your tattoo in any way to avoid ink loss and scarring.  Instead, let it fall off naturally and avoid exfoliation.

After 2 weeks:

The flakes/scabs should be completely gone and your tattoo is now healed.  You must still be cautious with your tattoo and careful when touching or scratching.  Sun is the number one cause of tattoo fading, always use sunblock (sold in store) over your tattoo when in direct exposure.

If at any point during the healing process you experience a reaction to the tattoo after-care product recommended by your artist, discontinue use and consult your tattoo artist immediately.

Joseph

Artist

Image of Administrator Joseph

After graduating with a Master’s degree in Ancient Philosophy, I decided that I preferred creating beautiful things over writing about other people’s achievements, and so I began

my studies in classical painting. Since then, I have dedicated myself to realizing my ambitions as a painter in the tradition of old masters such as Rembrandt and Caravaggio.

I approach tattooing with the training of a classical painter adapted to the unique demands of creating images on skin. My training in drawing composition and anatomy allows me to craft designs that flow with the human body. My precision and control with each line has been honed through thousands of hours working on paper, canvas, and now skin. My eye is attuned to value, contrast, focus—all aspects that contribute to a harmonious and beautiful tattoo. But most of all, I love having the privilege of applying my skills in a way that brings joy to other people.